brick dance from judith brocklehurst on Vimeo. Set Building workshop at Modern Art Oxford in collaboration with Georgie Manly. which culminated in a performance during the Basement TV live webacast, where sections of the set were moved as the evening of talks films and live music unrolled.
This course at Tate Modern looked at how different places make us move, feel and behave. Through a series of activities and discussions in the Making Traces gallery and a city walk, we examined the evidence left behind by our movements: art works, paths, maps, photographs, as a way to explore personal, political and social interactions. Together we questioned […]
A short theory course at Camden aArts Centre, taking Simon Martin’s UR feeling as a starting point to explore ideas around place, cities, control, memory and history. over the three weeks we built up a record of our conversation in the form of a Prezi.. http://www.camdenartscentre.org/whats-on/view/1516a13
Same project, same instructions, different materials, very different context. Working with Teachers on the MA at Institute of Education and a group of teachers on the Tate’s Common Projects. We constructed cinemas and filmed the process of construction. At the end we projected the film of construction in the cinemas. In Tate the group split […]
The cabinet echoes but reverses the early museum phenomenon of the cabinet of curiosities. It was a mix of collected objects designed to inspire awe and wonder in the natural or ‘foreign world’. A step up form the individual cabinet were places such as the Egyptian Hall, on Piccadilly. A whole building modelled on Egyptian […]
The Trolly Remembers an intervention at Tate Modern as part of there Tourettes Hero event. Made in collaboration with jenny Moore and anyone who wanted to get involved through out the day. trolley picked up influences from the art work it visited during the day. Becoming a massive rolling documentary of different visitors memories. […]
two different ways of working with photography to explore the relationship between reality and representation. the first using photographic paper exposed directly beneath the or in the object itself. the second uses exposed photographic paper as a material guide to follow instructions cut stick to make sculpture out of domestic materials represented. limited materials of […]
Stop frame animated film of the ‘real’ object so that it is sandwiched between to virtual representations of the same object. Photographs of objects from a collection projected alongside side a selected group. A small cctv collage sculpture with youtube and pathe news film montage projected onto it. The projection reflecting off the photographic paper. […]
Words are expected was a paper given at a seminar addressing the future of theory in the Art School. I find the ioe a strange place, a brutalist modern building housing identikit seminar rooms. My place within this is in the incongruous small art, design and museology department on the 8th floor. Which offers […]
